Premiere September 2025 (to be announced)
Work-in-progress March 2025 at Petrohradská Kolektiv via Culture Moves Europe, Prague, CZ
Work-in-progress April 2025 at Karens Minde Kulturhus via ST ART with Grønne Dage Festival, Copenhagen, DK
Idea and concept Lenka Vořechovská and Anne Sofie Stubbe Lindeberg
Choreography and performance Lenka Vořechovská and Anne Sofie Stubbe Lindeberg
Scenography and costume design Benedikte Beate Hansen
Co-creation and performer (CZ) Natálie Košková
Performers (DK) Ane Carlsen, Julie Elisabeth Villumsen
Sound design Ester Grohová
Light/sound technician (DK) Jonas Rosager Sommer
Consultation Nanna Koppel
Co-production Alica Minar & col.
Production and coordination Petrohradská Kolektiv, ST ART in collaboration with Grønne Dage Festival
Funding Culture Moves Europe
Work-in-progress March 2025 at Petrohradská Kolektiv via Culture Moves Europe, Prague, CZ
Work-in-progress April 2025 at Karens Minde Kulturhus via ST ART with Grønne Dage Festival, Copenhagen, DK
Idea and concept Lenka Vořechovská and Anne Sofie Stubbe Lindeberg
Choreography and performance Lenka Vořechovská and Anne Sofie Stubbe Lindeberg
Scenography and costume design Benedikte Beate Hansen
Co-creation and performer (CZ) Natálie Košková
Performers (DK) Ane Carlsen, Julie Elisabeth Villumsen
Sound design Ester Grohová
Light/sound technician (DK) Jonas Rosager Sommer
Consultation Nanna Koppel
Co-production Alica Minar & col.
Production and coordination Petrohradská Kolektiv, ST ART in collaboration with Grønne Dage Festival
Funding Culture Moves Europe
Photo, Petrohradská Kolektiv Adriána Vančová
Photo, ST ART Adam Amsinck
Photo, ST ART Adam Amsinck
From ST ART program:
“But there are tides in the body” Virginia Woolf writes.
We float through time and space - body, to body, to mother, to daughter, through milky connections, high tide to low tide, to ocean, to the more than human.
In the performance WASHAWAY / After the Low Tide, watery embodiments and its transforming environment are put on display from a hydro feminist point of view.
What remains on the shore when the water has withdrawn? And how can thinking as bodies of water provide us with a space to move and experience from? How does it shape a dance? After the Low Tide is located in what at first glance seems like a dried out landscape where artificial and organic material are weaved together. Entangled in the interconnection, the remaining bodies find curved trajectories of nourishment. In the boundless anticipation, milky liquids start to leak and be shared.
We invite the spectator to delve with us into a world where liquids are being passed from body to body - to let them experience with their bodies of water.
We float through time and space - body, to body, to mother, to daughter, through milky connections, high tide to low tide, to ocean, to the more than human.
In the performance WASHAWAY / After the Low Tide, watery embodiments and its transforming environment are put on display from a hydro feminist point of view.
What remains on the shore when the water has withdrawn? And how can thinking as bodies of water provide us with a space to move and experience from? How does it shape a dance? After the Low Tide is located in what at first glance seems like a dried out landscape where artificial and organic material are weaved together. Entangled in the interconnection, the remaining bodies find curved trajectories of nourishment. In the boundless anticipation, milky liquids start to leak and be shared.
We invite the spectator to delve with us into a world where liquids are being passed from body to body - to let them experience with their bodies of water.
Work-in-progress March 2025 at Petrohradská Kolektiv, Prague, CZ
Photo: Adriána Vančová
Photo: Adriána Vančová
Photo: Adriána Vančová
Photo: Adriána Vančová
Photo: Adriána Vančová
Photo: Adriána Vančová
Photo: Adriána Vančová
Photo: Adriána Vančová
Photo: Adriána Vančová
Work-in-progress April 2025 at Karens Minde Kulturhus via ST ART, Copenhagen, DK
Photo: Adam Amsinck
Photo: Adam Amsinck
Photo: Adam Amsinck
Photo: Adam Amsinck
Photo: Adam Amsinck